Category: How-to Guides

In the current version of TikTok LIVE Studio, adding a capture card is the same as adding a camera. Select Add source, and add a camera source. Choose your capture card from the list. Like before, we will set this to what our card supports. Although the 4K X supports 4K60 capture, TikTok LIVE Studio presents a warning when selecting 4K, so I choose 1080p, 60 FPS, YUY2, Limited, and 709—like I did with my camera.

Adding a camera will not capture audio. For that, you need to go into the audio mixer settings and click Add.

Add the same capture card as above, and turn off noise suppression. Click add. Your capture card’s sound will now play through the audio in the bottom. It will play through the microphone side, which is not ideal as it makes it more difficult to balance microphone and game audio, but it’s currently the only way to have audio work on Mac.

If you’re a Mac gamer and you want to capture and stream games on your Mac, this is the section for you. It’s much easier than capture cards, thankfully, as you don’t need to mess with audio. Simply click Add source and choose Window capture. The app needs to be open when you are doing this, then you select it from the list.

Once you click Add source, your game appears in the screen. One small warning here: TikTok LIVE Studio plays all desktop audio through one audio source, including screen capture. If you want to split things like Discord, music, browsers, and games, you’ll need an audio interface that can do that. I use Elgato Wave Link. SteelSeries Sonar is not currently available on Mac.

I keep my server setting on Auto, but you’re not here because you want to be told to set it to auto and forget it. Auto will choose the best server for you based on connection strength, ping, and expected quality of the connection. There is a great tool called TwitchTest, that does not work on Mac, but enables you to check all nearby Twitch servers from a Windows PC so you can manually select the best server. I keep it on auto because if there’s ever a problem with the San Jose server, Auto will redirect you to the next best. If you select San Jose, you’ll use it even if it’s less optimal at that time.

Twitch Enhanced Broadcasting enables all users to have transcodes—transcoding is a term that means multiple resolution options—because you encode each resolution yourself, on your machine. In my case, I have five resolutions available when I enable Enhanced Broadcasting: 1440p60, 1080p60, 720p60, 480p30, and 360p30. If you stream at 1080p60 without Enhanced Broadcasting, Twitch does not recommend exceeding 6000 bitrate, but the screenshot above shows that my 1080p stream is encoding at 7500 bitrate. Let’s be honest—that’s nowhere near where it should be, but it’s improvement. One interesting thing to note, and one of the reasons why I earlier said Enhanced Broadcasting is “almost always”best, is because of that 720p, running at 3500 bitrate. If you are streaming in 720p, 60 fps, 4500 is Twitch’s recommendation, meaning you could stream at higher quality if you have a slower upload or viewers who prefer to use 720p over all other resolutions.

If you have an upload speed of greater than 50 Mbps and are hard wired to your router/modem, you probably don’t need to worry about Maximum Streaming Bandwidth. There are a lot of best practice guides out there that say don’t exceed 50%, 60%, or 80% of your upload for your stream. I’m firmly in the 50% category, but only if you control all other devices on your network. If you live in a home with other internet users, there are so many things that can consume upload bandwidth, and if it slows down you’re going to drop frames and the stream will have visible hiccups. If you share your internet with other people, my opinion is not to go above 25% of maximum internet speed. So if you have 100 Mbps, don’t stream more than 25 Mbps total.

Enhanced Broadcasting seems good at detecting the capabilities of your system and not exceeding it. For mine, it knows that five sessions of streaming is the maximum my setup supports. While I stream to a max of 1440p, I can also record my gameplay, using up another encoding session, and I can enable the Replay Buffer, which allows me to quickly save cool moments as a separate file, making highlight videos easier to edit.

The biggest challenge, however, comes when you try to introduce multi-streaming. You want to send your stream to YouTube, Kick, TikTok, and Facebook gaming—each of those might be another encoding session, and you quickly realize the chip can’t handle all of that. NVIDIA makes it easy on RTX cards by putting a hard limit of 8 total encoding sessions. If Twitch is using 5, recording and replay buffer are using one each, you can only stream to one other platform before you hit your limit. Macs don’t have a hard limit—you’re left testing the limits until you overdo it.

The limit of my M4 Max Mac Studio (base model) is the five tracks Twitch does, then recording and replay buffer. Recording and replay buffer need to be set to ProRes or I get encoder overload errors. Macs are optimized for ProRes, so even though the resolution is so much higher, they make easy work of encoding in ProRes. Just make sure if you record to an external hard drive, it has USB4 or TB3+ support—I made that mistake early on.

If you are going to multistream to another source, the easiest thing to do is reduce the maximum video tracks by one per additional source—so if your Auto setting does 5, you lower it to 4 and then add your other source. Do keep in mind that removing a track will probably remove your lowest resolution setting, so 360p for me, and adding a 1080p stream mightcause encoder overloads. It’s very touchy, so just watch it carefully, and remove another track if needed.

Additional canvas appears to be an upcoming vertical canvas option for Twitch—the screenshot above alsospecifies “landscape” feeds, suggesting “portrait” or “vertical” is coming eventually. For now, though, it seems OBS hasn’t added any additional canvas options.

*December 25, 2025 edit: Additional Canvas now works with Aitum and StreamElements (possibly others, but I’ve only tested those) to offer multi canvas streaming for the new vertical beta on Twitch. I don’t currently have access to test it, but the mystery is at least solved now.

In the advanced options, you can enable BetterTTV and/or FrankerFaceZ. I don’t use either of these, but I believe they are related to emotes and enhancements.

Enable Bandwidth Test Mode should be unchecked, unless you are running a stream test.

Ignore streaming service setting recommendations should be unchecked, unless you are forcing 8000 bitrate on a 1080p stream. This will generate warnings in Twitch Inspector and the Creator Dashboard, and may lead to unstable streams. Still, people make the choice to do it.

The only two settings available to Twitch Enhanced Broadcast users are Audio Track and Twitch VOD Track. In most cases, you’ll use track 1 for Audio Track, and you’ll leave Twitch VOD Track unchecked. This changes if you are playing copyrighted music on your stream. If you have copyrighted music playing, you would set the music’s audio source to track 1, and uncheck it from track 2, then set Twitch VOD Track to track 2, which will provide your VODs a music-free recording that will not earn you a copyright strike later. In my experience, copyrighted music is rarely worth the hassle, and it’s better to simply play royalty free music or not have music at all.

If you’re streaming on a Mac, CoreAudio is supposed to be higher quality than FFmpeg, which will be your two Audio Encoder options. I have never tested CoreAudio, and now that I’m on Twitch Enhanced Broadcasting, I can’t choose—but it might be worthwhile to try it first and if everything sounds good, keep it. Otherwise, FFmpeg is the default and will work without issue.

Your Video Encoder should be Apple VT H264 Hardware Encoder. Your other options will include Apple VT H264 Software Encoder and x264, but the Hardware encoder is what will be using Apple’s dedicated encoder chips, meaning better efficiency and less frame drops. In theory, the Software Encoder or x264 could get you a better quality picture, but I haven’t seen enough evidence to consider anything other than hardware encoding at this time.

What you set Rescale Output to will depend on your Output settings on the Video tab. If your output is 1080p and you want to stream at 1080p, you can disable rescaling and ignore this line. If your output is 4k or 1440p and you want to stream at 1080p or 720p, set the Rescale setting to Lanczos (highest quality) and the resolution to your desired resolution.

Typically, the Video tab is the better place to apply resolution scaling, but if you want to record at a higher resolution than you stream, you have to set the Output higher than you might stream. I do not recommend scaling both, however. If you record at 1080p but stream at 720p, your canvas should also be 1080p. We will cover this on the Video tab section as well.

Twitch recommends all streams send CBR, or constant bitrate. You’ll also see ABR (adaptive bitrate) and CRF (constant rate factor), but these are not relevant to Twitch, and instead are best used on the recording tab—a rabbit hole we aren’t getting into today.

Your bitrate should be set based on these guidelines from Twitch. For 1080p, 60 FPS, the recommendation is 6000 bitrate. For 720p, 60 FPS, Twitch recommends 4500 bitrate. You can exceed this limit, or stream in alternate resolutions—a lot of people find 900p or 936p, 6000 bitrate to be a nice balance between screen size and quality.

It is vital to change Keyframe Interval to 2, if it’s not already set. Twitch requires a keyframe interval of 2, and leaving it at 0, which is auto, does not always set it correctly in the stream. I’ve never really sought to understand keyframe interval because it’s always one setting that you don’t change—but my simple understanding is that every 2 seconds, the stream makes sure to capture the full screen of your stream, even parts that haven’t moved or changed colours. When a spot on the screen hasn’t changed colours, the system won’t update it for every single frame. Instead, it will leave it there and only update the areas that havechanged. A keyframe interval guarantees that every 2 seconds, those areas that haven’t changed will still be updated.

In most cases, you should set your Profile to high and ignore it forever. High provides the best picture quality and has wide support across many devices. There are some older devices that don’t support the technological advances the high profile offers, and in that case main is considered an appropriate fallback. But unless you have a large audience of people on old devices, it should almost always be set to high.

On Mac OBS, B-Frames is a checkbox, while on Windows OBS, there are more options, including being able to select how many B-Frames you want. I leave B-Frames unchecked, but I also push my Mac to the limit of what it can do, and B-Frames use resources I don’t have. It improves image quality and might be worth testing if you aren’t using Enhanced Broadcasting. I did use B-Frames on PC, though I couldn’t tell you if they actually helped.

Spatial AQ is another one of those confusing options that is supposed to help performance, but may or may not actually do anything. I leave mine at automatic and haven’t had a problem yet.

Do make sure your sample rate is set to 48 kHz, which will maximize compatibility with audio equipment. Most of what I use is Elgato, and all of it is 48 kHz by default. If you have one source at 44.1, it can cause audio issues.

This is a good opportunity to check and make sure that any audio that interfaces with OBS is set to 48 kHz.

Twitch only supports mono and stereo audio currently. If you send a 5.1 or 7.1 signal, it gets downmixed to stereo and won’t sound right

I disable everything. As mentioned above, I do all my audio settings in Advanced Audio Properties, and disabling everything globally allows me to have complete control over everything. You won’t hear random Discord messages during my stream.

One of my main justifications for this, is maybe I have three different microphones connected to my PC. I have my SM7B, my headset microphone, and Wave Link Microphone FX. If my microphone bar is flashing in OBS, I might not realize that it’s actually changed my default input device to my headset mic. Windows is veryguilty of this, but my learning on Windows leads me to say just disable it all and add the specific microphone you want—then you know it’s always set up properly.

I say this realizing that you can select a specific input in the Mic/Auxilliary Audio. I still prefer to control everything in one panel, and Advanced Audio Properties gives me that.

The meters section controls the Audio Mixer window. The Decay Rate adjusts how quickly the bars drain when audio stops—like when you stop talking. Fast is the default, and I haven’t seen any reason to change that.

Your options here are Sample Peak and True Peak. True Peak extends the green bar, moves the Yellow bar higher up, and shrinks the Red bar. This can be valuable to understand when your microphone will actually peak, or cause that static blast in your viewers ears.

I like to use Sample Peak, because I aim to have all of my audio—game, alerts, and any audio effects, never go above the start of the Yellow bar (-20 dB), while my voice is allowed to go up to about -8 dB—just a smidge into the Red bar, before my limiter kicks in.

When True Peak also uses more CPU, I don’t see any value in re-training myself.

Sample Peak easy rules: mic just kisses red, everything else just kisses yellow.

If you have any audio monitoring turned on—so alerts, capture cards, etc, this will allow you to override the default setting. Maybe you always want your monitoring to go to your speakers, but you want your game sound in your headset—this is how you would achieve that.

I leave mine at Default, which means when I change the primary audio device for my Mac, my monitoring comes with it.

Your Canvas should be the resolution at which you play your game, as long as that resolution is 16:9. If you have a PlayStation or an Xbox running on a 4K monitor, this should be 3840×2160. If you have a 4K monitor, but you play games on your Mac at 1080p, then set the Canvas to 1080p. Having the canvas match the source resolution means your PC doesn’t need to do any pre-scaling of the content. This can be made complicated when playing on an ultrawide monitor, but my guess is the Venn diagram of Mac users who game on ultrawide monitors has very little overlap.

Your output resolution is the maximum resolution you will stream or record at. If you plan to stream and record at 1080p, set this to 1920×1080.

The important thing in this section is to limit how many times you are rescaling your output. My own settings are canvas and scaled are both 4K (3840×2160), and I do my scaling in the output tab. This allows me to record 4K video while streaming.

Rescaling is more efficient in the Video tab, so if you have the ability to scale in this window, that’s the best option.

Always Lanczos. The difference in performance between the three is barely noticeable, and the quality increase is definitely worth the trade off.

Keep it simple and avoid Fractional or Integer FPS for Twitch. Whether you set this to 60 or 30 FPS depends on a few factors. If your bandwidth is limited, streaming at 30 FPS requires far less upload bitrate than 60 fps. For 1080p content at 30 FPS, you can send 4500 bitrate and it will look great. 720p at 30 FPS can go down to 2500 bitrate without issue.

If you play games with a lot of motion (shooters, fighting, racing, etc), 60 FPS is usually best to keep up with the action.

If you play slower games, like RPGs, strategy, or puzzle games, 30 FPS might be sufficient and allow you to run a less resource-intensive stream.